Pere Portabella

The film is divided into two large segments. The first is made up of a couple of fixed shots of the pianist, Carles Santos, playing the Prelude ...

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of ...

A largely silent experimental feature film, shot on the set of 1969’s “Count Dracula,” telling an abbreviated version of the story.